Wolff, Abrams, and Smith are fantastic together, and the moments they have together ring true. The further away the movie gets away from Margo the better it is since it grounds everything in the relationships and revelations of the characters. Like the rest of the cast except for Halston Sage, who plays Margo’s friend Lacey, Delevingne is believable as a teenager, but never as the “miracle” Quentin sees her as. Wolff’s moony-eyed performance helps sell us on Margo’s greatness, not Delevingne disaffected tone. The film is lovingly shot and wonderfully acted with a cast of actors who could all break out big with the exception of, ironically, Delevingne. Schreier has crafted a bit of a sucker punch that can be achingly earnest but also surprisingly mature at its conclusion. It wants its teenage audience to be daring and imaginative and doesn’t expect them to cringe when Margo says lines like, “You have to get lost before you find yourself.” Margo should have an industrious life writing taglines for movies like Paper Towns because it wants to pawn these platitudes off as wisdom, but we get wrapped up in that romanticism because that’s Quentin’s point of view. On the one hand, it fully embraces Margo’s approach towards life. Bringing along his nerdy friends Ben ( Austin Abrams) and Radar ( Justice Smith) for the ride, Quentin sets off to find Margot and live life to the fullest because that’s what she wants him to do. In the morning, she’s disappeared, but Quentin believes she’s left clues for him to come and find her. One night, she comes in through his bedroom window and brings him along on a quest of revenge against her cheating boyfriend and duplicitous friends. They’ve grown apart over the years, and he’s gone on to become a quiet, boring kid who admires her from afar. Quentin ( Nat Wolff) has had a crush on his enigmatic, adventurous neighbor Margo Roth Spiegelman ( Cara Delevingne) since they were kids. More importantly, the movie takes down the MPDG rather than holding it up as an ideal role. While it still heavily romanticizes teenage relationships, it does find honesty thanks to the terrific performances and odd moments that help breakthrough the pat valediction. To the credit of Jake Schreirer’s adaptation, Paper Towns is neither. Weber and B) the power of the Manic Pixie Dream Girl. Paper Towns is being aggressively sold on A) being in the vein of The Fault in Our Stars since they’re both from author John Green and screenwriters Scott Neustadter and Michael H.

Paper towns movie rated